Monday, January 6, 2020

King Lear And The Tempest - 1586 Words

While King Lear was more of a focus on a Jacob-like character and the consequences of his actions, The Tempest is more of a focus on what an Esau-like character would do when confronted with the power they have over their brother. Prospero knows that part of the reason he is on this island is his fault because â€Å"And Prospero the prime duke, being so reputed In dignity, and for the liberal arts Without a parallel; those being all my study, The government I cast upon my brother And to my state grew stranger, being transported And rapt in secret studies† (1.2.72-77). Like many other of Shakespeare’s characters, Prospero shirked his duty to his people and willingly let his brother take over. Now, Prospero wrestles with the fact that his†¦show more content†¦Prospero’s forgiveness of his brother is set up so that he comes out to be the bigger person and to satisfy his ego, when his brother and the people who helped betray him should be locked up so that they won’t do it again. Antonio does not react to being forgiven, and Shakespeare does not tell the audience what Antonio is thinking now that he is seeing his brother after so many years. Of course, in a lot of Shakespeare’s plays, forgiveness is never reached after a betrayal. Such is the case between Don Pedro and Don John in Much Ado About Nothing and Hal and Hotspur in King Henry IV, part I. Both are also odd exceptions to the rule of brotherly betrayal. Indeed, we have a Jacob figure, Don John and Hal, and an Esau figure, Don Pedro and Hotspur, but in one case, the bastard is not out for his brother’s birthright, and in the other the brother is not just not a bastard or his enemy’s blood brother. While there is a clear betrayal between John and Pedro, it is odd to consider Hal the Jacob-figure in his story because Hotspur is the one doing the actual betraying. However, this is coming from the assumption Hotspur has that since he has become the best soldier, he should be allowed to succeed Henry when he dies. Don John wants to cause mischief and trouble for his brother. Like Edmund, he is discontent with being a bastard, but his ultimate goal during their time in Messina is to cause as much trouble as he can. He is quoted asShow MoreRelatedEssay Comparing The Tempest and King Lear1338 Words   |  6 PagesComparing The Tempest and King Lear      Ã‚  Ã‚   This essay will focus on the similarities and differences of the plays The Tempest and King Lear in general, as well as looking at comparisons of Prospero and Lear in somewhat more detail. Prospero and Lear are, without a doubt, the two most compelling mature figures in Shakespeare. In a way, one is the flip side, so to speak, of the other. Each represents an aging mans relationship to family, environment, and, most importantly, himself. 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LearsRead MoreSuffering in Shakespeares Plays1910 Words   |  8 Pagesand trauma, and emotional suffering, where the character suffers an emotional trauma or loss. In The Tempest, the physically traumatized characters, are Trinculo and Stephano. They are chased by dogs but their physical trauma has not induced any sign of remorse or guilt. Ferdinand, on the other hand, is overcome by emotional suffering at the loss of his son. In King Lear, Lear is plagued emotionally. He feels that he has lost the love of his favorite daughter Cordelia, and he feels theRead MoreWilliam Shakespeare s Family Dynamics1560 Words   |  7 Pagescenter of nearly all his plays. Shakespeare must have known that relations between members of shared bloodlines were ripe for drama, suspense, and highly emotional content. However, despite the many fathers depicted, and plays named for them, fathers King Lear and Titus Andronicus stand as share contrasts to one another. 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